Madeline Eschenburg is a PhD candidate studying contemporary Chinese art. She is currently writing her dissertation on performance art in Beijing in the 1990s with a special focus on projects involving migrant workers, the marginalized subjects of modernization. She has published work in Contemporaneity: Historical Presence in Visual Culture, Yishu: Journal of Contemporary Chinese Art, and Art Slant. She has also co-organized a conference in Beijing in the summer of 2016, given lecture series at the Aurora Museum in Shanghai and the Carnegie Museum of Art in Pittsburgh, and helped curate two exhibitions of art from Gao Minglu’s Archive.
PhD Student, History of Art and Architecture, University of Pittsburgh, Fall 2011- present
MA, SUNY Buffalo, 2005-2007 Advisor: Bingyi Huang
BA, Augsburg College, Art History and Studio Art double major
Book Review, Bentu: Chinese Artists in A Time of Turbulence and Transformation in Contemporaneity: Historical Presence in Visual Culture 6.1 (2017): 93-96.
Upcoming: “Approaches to Xianchang: Documenting the Real in Post-socialist China” in Critical Distance: New Explorations in Documentary Theory and Practice, ed. Bruno Lessard, Blake Fitzpatrick, and Gerda Cammaer (London: Palgrave Macmillan, 2019).
“Gao Minglu in Conversation with Madeline Eschenburg.” Yishu: Journal of Contemporary Chinese Art 16.4 (July/August 2017): 56-62.
“Artificial Hells: A Conversation with Claire Bishop,” Contemporaneity: Historical Presence in Visual Culture 3.1, 2014. 174-178.
“Xing Danwen: Revealing the Masquerade of Modernity,” Yishu 33, Vol. 8, no. 4, July/August, 2009.
“Woven Together: Movana Chen and the Politics of Identity in a Global Society.” Yishu, May/June, 2010.
Translation (Mandarin, Chinese, to English):
Song Yongping’s Print Symposium (book), Tianjin Social Sciences Publishing House. Forthcoming.
NCHA Award, September 15-21
Chancellors Graduate Fellowship in Chinese studies, Spring 2016
Fulbright Student Fellowship, 2014-2015
University of Pittsburgh Arts & Sciences Fellowship, 2011-2014
FLAS Fellowship, Summer 2012
Graduate Assistantship and Scholarship, SUNY Buffalo, Spring 2007
Upcoming: ‘Fixing Identities: Wang Jin and the Use of Migrant Workers in Chinese Performance Art” at Asia: Past, Present, Future, New England Association for Asian Studies Annual Conference, Jan. 27-29, 2017
Lecturer for Contemporary Chinese Art Class at Carnegie Museum of Art, July 13-23, 2016
Co-organizer. Overwhelming Imagination: Achieving and Undermining Contradictions at Sishang Art Museum, Beijing. July 4-6, 2016.
“Art for the People: Qiuzhuang Project and the History of Rural-based Projects in Contemporary Chinese Art,” lecture at Aurora Museum, Shanghai, July 18, 2015
Panel moderator for “The Female Voice in Contemporary Chinese Art” at the Bookworm Literary Festival, Beijing, March 29, 2015
“Wen Fang’s Collaborative Projects: Connecting Rural to Urban, Global to Local” at Global Goes Local: Visualizing Regional Cultures in the Arts of Greater China (symposium), Hong Kong Baptist University, June 27-29, 2013