News

Marina Tyquiengco headshot

Tyquiengco Featured on Fanachu Podcast

Marina Tyquiengco (PhD 2021) recently appeared on a live episode of the Fanachu podcast to discuss her work in the museum world. Tyquiengco presently serves as the Ellen McColgan Associate Curator of Native American Art at the Museum of Fine Arts, Boston. View the livestream recording on the Fanachu Facebook page.

White and red logo for the Fairbank Center for Chinese Studies.

McCoy Presents at China Westward Conference

Michelle McCoy delivered a paper at the China Westward conference at Harvard University in October.

December 2023 cover of the Journal of the Society of Architectural Historians

Hosseini Publishes in JSAH

Sahar Hosseini recently published an article in the Journal of the Society of Architectural Historians. Her article, “The Invisible Lake of Sa’ādat-ābād and the Safavid Architecture of Affect,” examines the role of bodies of water in a royal complex in premodern Isfahan, where the river became a site of architectural imagination.

Painting of a highway by pop artist Allan D'Arcangelo

Alex Taylor Writes for New Book on Pop Artist Allan D’Arcangelo

Recognized as a major Pop artist in his day, Allan D’Arcangelo (1930–1998) has yet to receive the critical reevaluation of painters like Roy Lichtenstein and James Rosenquist.  Published by Rizzoli, this major monograph introduces new audiences to his iconic paintings, particularly his celebrated paintings of the highway.

Cover for the Genealogies of Modernity podcast

Christopher Nygren Contributes to New Podcast Series

Season 2 of Genealogies of Modernity is a narrative podcast released as a limited series of Ministry of Ideas and supported by a Media Production Grant from the National Endowment for the Humanities. Each episode takes up a well-worn story about what it means to be modern and how we got here, and then challenges that narrative with recent humanities scholarship. Genealogies of Modernity illuminates lesser-known pathways to the present and unearths overlooked resources from the past for flourishing in the future.

Poster for the 2023 Society for Literature, Science and the Arts conference

Amrita Vinod Presents at the Society for Literature, Science, and the Arts Conference

The Center for Philosophical Technologies (CPT) in the School of Arts, Media and Engineering (AME) at Arizona State University hosted the 2023 Society for Literature, Science, and the Arts (SLSA) last Saturday, October 28, first-year Ph.D student Amrita presented a paper titled “Knowing Open, Overflowing and Plural Subjects through Kaḷiyāṭṭaṁ of Malabar Coast, India ” based on her Architectural History and Theory masters thesis (Vinod, Amrita.

Black and white photo of the Rio De Janeiro botanical garden

Paula Kupfer Presents Paper at University of Texas at Austin

On October 31st, PhD candidate Paula Kupfer presented "The Exotic Dominates, Which Is Regrettable’: Negotiating Foreignness in the Rio de Janeiro Botanical Garden” at the Center for Latin American Visual Studies at The University of Texas at Austin. 

German Studies Association logo

Kathryn Carney Co-Facilitates GSA Working Group

This academic year, graduate student Kathryn Carney is co-organizing the Body Studies working group of the German Studies Association with historian Alice Weinreb. The group provides feedback on new scholarship concerning the changing politics of the body and its representations throughout German history. Read more about the German Studies Association on the GSA website.

Logo for the Association for Iranian Studies

Hossein Nakhaei Presents at Association for Iranian Studies Symposium

Graduate student Hossein Nakhaei presented a paper this past weekend based on his recent colloquium, “Persian Pavilion and British Petroleum: Art and Oil in the Last Concession of Antoine Kitabgi Khan”, at the Association for Iranian Studies symposium. Nakhaei’s paper concerns the figure of Khan as an important actor in Iranian diplomacy on the European stage at the turn of the twentieth century. See the full conference program on the AIS website.

Poster for the 58th annual UCLA Art History Graduate Symposium

Marisol Villela Balderrama Presents at UCLA Symposium

On Friday, October 27, 2023, Graduate student Marisol Villela Balderrama will present at the 58th Annual UCLA Art History Graduate Symposium, In/On/Across Bodies of Water to be held at the Hammer Museum.

Digital banner for the 2023 SECAC

Gretchen Holtzapple Bender Chairs SECAC Panel

On Friday, October 13, 2023, Gretchen Holtzapple-Bender led a panel on “‘Ungrading’ Art History: How It Works and Why to Do It” with Matthew Levy of Penn State Erie, The Behrend College. 

Irene Castilla and Camila Aguayo hold up a piece of Latinx art

Fall Exhibitions at the UAG Featured in Pittwire

HAA undergraduate Irene Castillo and Hot Metal Bridge Fellow Camila Aguayo discuss the new exhibits at the University Art Gallery that spotlight Latinx and Caribbean identities. Both students had the opportunity to develop the exhibit through the Department of History of Art and Architecture's Museum Studies program.

People view an exhibit in the University Art Gallery

The Pitt News Features UAG Caribbean Exhibits

The University Art Gallery hosted an Opening Celebration for the three exhibits currently on view.

Langmead Spearheads NEH-Funded AI Pedagogy Project

Alison Langmead was recently awarded funding from the Office of Digital Humanities of the National Endowment for the Humanities for her project, “Teaching Art History with AI.” The project will focus on the “pedagogical use of computational image generation technologies in art history, visual culture, and media studies.” Learn more about other ODH winners on the NEH website.

Vuković Presents at SECAC

On October 13, 2023, PhD candidate Vuk Vuković presented his paper "Unraveling Highways of Inequity: Nam June Paik and Electronic Superhighway: Continental U.S., Alaska, Hawaii (1995)" as part of the "American Art" panel at SECAC Annual Conference. His paper examined how Korean-born artist Nam June Paik, under the guise of flashing screens in his monumental work "Electronic Superhighway: Continental U.S., Alaska, Hawaii" (1995), deconstructs images of Hollywood films.